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Office Statement

If given the choice between staring blankly into space or reading architects’ office statements on their website, we choose the first. They all say the same thing: we’re sustainable, responsible with budgets, experienced, award-winning, etc. . . . The game seems to be how to say nothing in particular and comfort any worries of someone contemplating hiring you. After a few clicks, it’s hard not to think that all this quote-unquote professionalism is very cold at its core. We can’t tell you exactly when MOS started. We like to say it was 2003, sometimes we say 2005, but we were drifting from place to place, we didn’t have an office space then and our name was !@#?, which we quickly found was too difficult to use because 1. you couldn’t pronounce it and 2. you couldn’t get a Web address. In 2008, we were licensed and became a legal entity, but we had already had an office and made some buildings. At some point, we drifted towards MOS—an acronym of our names and reflection of a shared desire to be horizontal and fuzzy, as opposed to tall and shiny. We began around an oversized table, a surface for collecting, gathering, and working through a range of design experiments—a make-believe of architectural fantasies, problems, and thoughts. We are now located in New York, we have grown a little, but remain around a large table, working together on each project through playful experimentation and serious research. We have won some awards. We have written some books. We have built some buildings. We are currently making more. This website indexes that work: housing; schools; houses; cultural institutions; retail; exhibition design; installations; furniture; objects; books; writing; software experiments; and videos.

 

- Michael Meredith, Hilary Sample

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General Information
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226 W 135th St. NY, NY 10030
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866 431 3928
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Selected Awards
2014

Krabbesholm Højskole (Denmark) is awarded an AIA NY Excellence Award
    
MOS Architects receive an AIA New York Award of Merit for Element House

Flat File

We draw, talk, email, doodle, diagram, render, print, print, draw, model, receive, distribute, call, approve, confirm, reject, plead, deny, laugh, export, import, present, listen, order, zoom, script, post, pan, copy, paste, scale, collate, staple, eat, list, drink, walk, draw, chat, meet, photograph, crop, calculate, draw, adjust, tweak, sip, solve, stack, note, organize, scan, edit, review, print, question, comment, make, sketch . . . and occasionally we store them in a flat file.

MOS: Michael Meredith, Hilary Sample, Robert Crabtree, Paul Ruppert, Lafina Eptaminitaki,

Yam Chumpolphaisal, Claire Logoz, ...

© MOS Architects PLLC

Web site by Studio Lin 

Programming by Brazen

Reproduction
No. 4
Lilly Reich, Soap No. 24
Size:
4.25"x4.25"x2"
Material:
Soap, Oils
Edition:
20
Price:
Sold Out

Before entering into the Bauhaus Textile Program, Lilly was enrolled in the little-known Bauhaus Modern Seife Program, an academic department based upon the design of Avant-Garde Soaps. The Seife students were known to take 4–5 baths daily in order to test their art, which explains their radiant complexions in early photographs. The program was notorious due to a string of scandals, and was shut down within weeks of its inauguration. Even though it was very short-lived, the soaps were known to provide an uncanny cleanliness through abstraction. Lilly produced some of the most important Early Modernist Avant-Garde Soaps of her time, although all written evidence of the program has since been destroyed. What little is known was through undocumented conversations between Bauhaus maintenance staff and their children.