Current Work
Selected Publications and Exhibitions
Office Statement

If given the choice between staring blankly into space or reading architects’ office statements on their website, we choose the first. They all say the same thing: we’re sustainable, responsible with budgets, experienced, award-winning, etc. . . . The game seems to be how to say nothing in particular and comfort any worries of someone contemplating hiring you. After a few clicks, it’s hard not to think that all this quote-unquote professionalism is very cold at its core. We can’t tell you exactly when MOS started. We like to say it was 2003, sometimes we say 2005, but we were drifting from place to place, we didn’t have an office space then and our name was !@#?, which we quickly found was too difficult to use because 1. you couldn’t pronounce it and 2. you couldn’t get a Web address. In 2008, we were licensed and became a legal entity, but we had already had an office and made some buildings. At some point, we drifted towards MOS—an acronym of our names and reflection of a shared desire to be horizontal and fuzzy, as opposed to tall and shiny. We began around an oversized table, a surface for collecting, gathering, and working through a range of design experiments—a make-believe of architectural fantasies, problems, and thoughts. We are now located in New York, we have grown a little, but remain around a large table, working together on each project through playful experimentation and serious research. We have won some awards. We have written some books. We have built some buildings. We are currently making more. This website indexes that work: housing; schools; houses; cultural institutions; retail; exhibition design; installations; furniture; objects; books; writing; software experiments; and videos.


— Michael Meredith, Hilary Sample

Project Index
General Information
226 W 135th St. NY, NY 10030
866 431 3928
Selected Awards

MOS receives an AIA New York State Honor Award for School No. 3 (Petite École)


Krabbesholm Højskole (Denmark) is awarded an AIA NY Excellence Award
MOS receives an AIA New York Award of Merit for Element House

Flat File

We draw, talk, email, doodle, diagram, render, print, print, draw, model, receive, distribute, call, approve, confirm, reject, plead, deny, laugh, export, import, present, listen, order, zoom, script, post, pan, copy, paste, scale, collate, staple, eat, list, drink, walk, draw, chat, meet, photograph, crop, calculate, draw, adjust, tweak, sip, solve, stack, note, organize, scan, edit, review, print, question, comment, make, sketch . . . and occasionally we store them in a flat file.

MOS: Michael Meredith, Hilary Sample, Paul Ruppert, Robert Crabtree, Charles Dorrance-King, Lafina Eptaminitaki, Yam Chumpolphaisal, Julia Muntean, Victoria Abel, Zane Mechem, ...

© MOS Architects PLLC

Web site by Studio Lin 

Programming by Brazen

Primitive Hut
No. 1
A Tent without A Signal
Guggenheim Museum, Bilbao, Spain

This is a tent. It is without a signal. It is without a noise. This might mean nothing to you. Inside your phone does not work. You cannot call your friends. You cannot email your boss. You cannot post your selfie. You cannot search. You cannot like anything. You cannot. If you want to know what the weather will be or send your location to someone, do not bother. If you stay too long, you will get bored. Even quiet is exhausting after a while. This tent is like many and unlike many. It has a circular, O-shaped bench at its base and an X-shaped structure at its top. It is a hug and a kiss. It is closed and open. It is not a primitive. It is not a “primitive” primitive hut. Isn’t it odd how Technology and Nature have become inseparable? But maybe they always were. This structure is lightweight, made of aluminum parts that can be easily packed up and moved from place to place. Assembled it looks something like an antenna. And something like a tepee. It is not a beginning for architecture. It is not an origin. Origins are relative. Regardless, it makes a place to sit or take a nap or retreat or doodle or write this text you’re reading or plan a revolution. The fabric offers some shelter. The fabric is CNC knitted, stitching together electromagnetic field–shielding yarns. The fabric pattern was iteratively developed through homemade, handcrafted software that produces a field of noisy particles, like a landscape or T.V. static. The pattern does not repeat. The tent is neither high-tech nor low-tech. For the time being, it is temporary.

Project Team: Michael Meredith, Hilary Sample, Lafina Eptaminitaki, Paul Ruppert, Michael Abel, Stefan Klecheski