Current Work
Selected Publications and Exhibitions
Office Statement

If given the choice between staring blankly into space or reading architects’ office statements on their website, we choose the first. They all say the same thing: we’re sustainable, responsible with budgets, experienced, award-winning, etc. . . . The game seems to be how to say nothing in particular and comfort any worries of someone contemplating hiring you. After a few clicks, it’s hard not to think that all this quote-unquote professionalism is very cold at its core. We can’t tell you exactly when MOS started. We like to say it was 2003, sometimes we say 2005, but we were drifting from place to place, we didn’t have an office space then and our name was !@#?, which we quickly found was too difficult to use because 1. you couldn’t pronounce it and 2. you couldn’t get a Web address. In 2008, we were licensed and became a legal entity, but we had already had an office and made some buildings. At some point, we drifted towards MOS—an acronym of our names and reflection of a shared desire to be horizontal and fuzzy, as opposed to tall and shiny. We began around an oversized table, a surface for collecting, gathering, and working through a range of design experiments—a make-believe of architectural fantasies, problems, and thoughts. We are now located in New York, we have grown a little, but remain around a large table, working together on each project through playful experimentation and serious research. We have won some awards. We have written some books. We have built some buildings. We are currently making more. This website indexes that work: housing; schools; houses; cultural institutions; retail; exhibition design; installations; furniture; objects; books; writing; software experiments; and videos.


— Michael Meredith, Hilary Sample

Project Index
General Information
226 W 135th St. NY, NY 10030
866 431 3928
Selected Awards

MOS receives an AIA New York State Honor Award for School No. 3 (Petite École)


Krabbesholm Højskole (Denmark) is awarded an AIA NY Excellence Award
MOS receives an AIA New York Award of Merit for Element House

Flat File

We draw, talk, email, doodle, diagram, render, print, print, draw, model, receive, distribute, call, approve, confirm, reject, plead, deny, laugh, export, import, present, listen, order, zoom, script, post, pan, copy, paste, scale, collate, staple, eat, list, drink, walk, draw, chat, meet, photograph, crop, calculate, draw, adjust, tweak, sip, solve, stack, note, organize, scan, edit, review, print, question, comment, make, sketch . . . and occasionally we store them in a flat file.

MOS: Michael Meredith, Hilary Sample, Paul Ruppert, Charles Dorrance-King, Lafina Eptaminitaki, Yam Chumpolphaisal, Jacqueline Love, ...

© MOS Architects PLLC

Web site by Studio Lin 

Programming by Brazen

2016 Venice Architecture Biennale, US Pavilion

Location: US Pavilion, 2016 Venice Architecture Biennale, Venice, Italy
Date: May 28th, 2016–November 27th, 2016

The structure and circulation of this proposal are based on the economical model of highway and parking structures. A series of spiral ramps punctuate the structure, connecting all levels with pedestrian and vehicular traffic. A perennial garden and plaza extend across the roof, creating a network of spaces for recreation and social gathering. Thin buildings maximize the surface area of their facades, and in turn maximize daylighting.

This proposal works with and within the overlapping, disaggregated connections between urban and social form. Situated above and around the Dequindre Cut, it uses a low-rise high-density development—produced through the loose arrangement of empty types, frameworks, and open spaces—to connect existing conditions with a new urban fabric. At grade, a neighborhood of common spaces links the community with the Cut and the existing street system.

These emptied typologies serve as an open framework for something else, imagined by someone else, to happen. They are owned collectively, they do not front streets, and they work outside conventional notions of property and lots. The thresholds between interior and exterior—roofs, ramps, porches, and overhangs—provide informal areas for neighbors to commune. Every exterior space is a public space; every interior space is a public space.

Project Team: Michael Meredith, Hilary Sample, John Yurchyk, Andrew Frame, Mark Acciari, Phillip Denny, Jason Bond, Steve Gertner, Mathew Staudt, Sarah Wagner, Fauzia Evanindya, Fancheng Fei, Jacob Comerci, Michaela Friedberg, Taylor Cornelson, Laura Salazar
Additional support provided by the Columbia University Graduate School of Architecture, Planning, and Preservation and the Center for Architecture, Urbanism, and Infrastructure at the Princeton University School of Architecture

Related Projects:
Housing No. 4
Book, A Situation Constructed from Loose Architectural and Social Aggregates
Software No. 14